gavin sutherland
    diamonds and gold

    "A set of stirring, sing-em-like-you-lived-em gems."
    Guitar Magazine, March 2000

    songs and stories part one

    go the distancehardluck towndancing in the kitchen

    after the stormthe road songdiamonds and gold


    I was introduced to the peculiar world of record promotion at the age of sixteen, playing in a band called A New Generation. We all hated the name but we were stuck with it thanks to some promoter guy in London who, for no known reason, was telling everybody that's what we were called. Anyway, when we got a message from our manager to be outside Hampstead tube station at 5 a.m. we, being green and keen, didn't even ask why, we just went. A publicity bloke met us there and took us up to the Heath in a cab. There was a lorry parked in the middle of nowhere and a bunch of people spraying the grass with silver car paint. When the lorry drove away we couldn't believe our eyes.  Oh no! A big wooden home-made spaceship. Oh no! Our instructions were to sit inside this thing while the word spread around London that an alien craft had landed on Hampstead Heath. We sat there for ages on a plastic sheet with baby frogs climbing all over us. Meanwhile, in a phone box not too far away, our media guru was getting the promotion snowball rolling. The problem was, instead of phoning the papers (like he was sp'osed to do), he called out the Old Bill! Unbelievable. He'd killed it stone dead. The police arrived in no time at all, banging all over the spaceship and telling us that if we didn't "piss off" and take "all the crap" with us, we would "get done". They were seriously stressed about their time being wasted by "idiots" and made us carry the thing all the way back to the car park. About two miles! We were totally knackered and had achieved absolutely nothing.
    I thought about re-enacting the events of that morning in celebration of my thirty years in show business, but, in the end, I decided to go with a CD - WEB notion. 

      Still doing the same job, courtesy of Neal Murray. 11/11/99

     

    Further investigation into a favourite area of the Eko guitar with a big Neumann ready to capture every grunt and groan.

     

    What more diversion could a man desire?

     



     

     

    Anyway, on with the show. . . . .

    go the distance Trying to get there, that’s where the fun is, that’s what it's all about; in fact, I think I would go as far as to say that that's where it's at. The never ending journey. Talking about never ending journeys, I remember hitch-hiking up to the Highlands with my brother to see Paul McCartney. We were young lads with a mission and we needed to talk to somebody about groups and gigs and songs and all that stuff. The Mac, for obvious reasons, was top of our list. It took about thirty hours but we found his farm and, yes, we even got to talk to the man himself. He told us of how he and John (God bless him) wrote off to all the agents around the north of England for gigs. They used black envelopes and wrote the addresses with silver nail varnish. They didn't get one reply! I thought about the wooden spaceship. The light shone from the master's eyes as he told us "It's all out there, if you want it bad enough, just go and get it." So we did.
    When I first moved into West Kensington's bed-sit wonderland, wide-eyed and gig-less, I spent many long nights trying to work out what I was looking for. All I came up with was a long list of things I didn’t want. But I'd made a start. I was there with the lads, having a go.

    Golden dreams, fall and shatter,
    Still I tell myself, it doesn't matter,
    The weight lies heavy, on low resistance,
    I may not win the fight but I'll go the distance.
    Silver lines, that lead to nowhere,
    Restless minds, all headed somewhere,
    A heart of stone, no need to cry,
    Well I may not understand but still I try.

    The fallen angels, make their plans,
    Information, changes hands,
    To seek contentment, in vain persistence,
    Well I may not win the fight but I'll go the distance.

    hardluck town I owe a lot to Stoke-on-Trent. I spent my formative years in and around the City, watching the Potters at the Victoria Ground and trying to dance at the Top Rank. It was there, on a Saturday night in 1965, under hot dance floor lights and generating all the soul-power a boy could muster, that I foolishly attempted an unrehearsed James Brown heel-spin. The Tops were just coming to the end of a verse of Loving You Is Sweeter Than Ever and I wanted to under-pin the glorious rise into the chorus with a hot move. It started to go wrong immediately. Levi shouted "Because" and a split second later I hit the deck with a sickening thud. Yeah, Jimmy Mack was on his back. Slightly dazed, I looked up to see the girl I'd fancied for ages staring down at me in fits of laughter.
    It's true, love can break your heart.

    I was hoping for a sweet surprise, some compromise, a change of heart.
    But you never seem to listen to me and it was plain to see, right from the start.
    What's this I hear from everybody, the rumour that's going down.
    Meanwhile, the rain comes tumbling down on Hardluck Town.

    I was looking for a better way, a chance to say just how I feel,
    But I couldn't find the words to say and this aching heart I can't conceal,
    So what's this you're telling everybody, the rumour that's going round,
    Meanwhile, the rain comes tumbling down on Hardluck Town.

    Turn away from this situation, you'll see a heart that's true.
    This whole mess is really getting to me,
    And I know that it's getting to you.

    Meanwhile the rain comes tumbling down on Hardluck Town . . . .

    take your partners. . . There's always time for a quick boogie in the kitchen. Jocky told me he danced to this tune in his kitchen, a glass of wine in one hand and his destiny in the other.

    Some people like to go down town,
    They like to party when the sun goes down,
    Late night bars, cruising the street,
    They're dancing to the highlife beat.

    We’re in the kitchen and we’re doing fine,
    An old piano and a glass of wine
    Sweet soul music on the radio,
    So glad we’ve got nowhere to go.

    Dancing in the kitchen, late at night
    Dancing in the kitchen, in the candlelight,
    Dancing in the kitchen, just me and you,
    Doing the dance that we want to do.

    Some people got it all worked out,
    They like to tell you what it's all about,
    Doesn't matter what they do or say,
    We're gonna dance the night away.

    after the storm It was about 2 o'clock on a January morning when a wild north wind blew the storm into Gamrie Bay. I'd been working with David in his little studio, down on the shores of the old Seatown. We stood in amazement as lightning flashed great silver lines across the sky, thunder roared above us and the churning sea threw rocks hard against the sea wall. Awesome!
    David was totally dedicated to the country music thing. When he asked me what he should do about getting his songs known I thought of the wooden spaceship but then I remembered the master's words. "It's all out there", I told him, "if you want it bad enough, just go and get it." So he did. The Ancient Wheel had turned another circle, another spark from the Sacred Fire.
    David packed his bags and moved to Knoxville after the storm. I think he's somewhere in Florida now.

    The wind was coming off the sea that night,
    Blowing hard on me that night,
    The sky above was clear and bright,
    After the storm.

    There was something in the air that night,
    Something kind of rare that night,
    I think I must have seen the light,
    After the storm.

    Standing in the driving rain,
    Feeling like a man insane,
    Would I ever be the same again?
    After the storm.

    I was looking for a friend of mine,
    Another place, another time,
    I didn't see the warning sign,
    After the storm.

    It's time to take the road again,
    Carrying the load again,
    Reaping what I sowed again,
    After the storm.

    the road song I met Stanley a few months ago. He's a traveller, from a long line of travelling folk. He told me about his childhood days, when his family "traivilt" the roads of the Highlands and North East. Like all those who had gone before him, he learned about life from the songs and stories of his people and the "ever-present spirits of his ancestors". Stanley is one of the few remaining Keepers of the Lore of Ancient Caledonia. He's a story teller, a singer of songs and a worthy piper. He visited East Tennessee State University a while back, meeting up with story tellers and singers from other nomadic cultures. As he walked into the meeting hall an old Inuit woman called him over. She knew nothing of Stanley but instantly recognised the spirit of a travelling man. "Come and sit here," she said. "You're one of us." 

    I remember when I was a kid,
    Plans I made, things I did,
    Took my chances, made my bid,
    Drifting on the breeze.

    Wild emotions, and mixed up schemes,
    Holding on to a young man's dreams
    But things ain't always the way they seem,
    Distant memories.

    I got a long road behind me,
    People and things, I used to know,
    I got a long hard road behind me,
    Still got a long way to go.

    Years roll by, but nothing's changed,
    The good and bad times are still the same,
    Deal the cards, play the game,
    Mysteries unfold.

    It's a long road, it's a hard road,
    Sometimes a good road, sometimes a bad road,
    It's a rich man's road and it's a poor man's road,
    It's a wise man's road and it's a fool's road.

    diamonds and gold

    I don’t want diamonds, I don’t need gold,
    I have no dreams of glory
    And wealth untold.
    I’ll raise a glass to sweet success,
    I wish you all-good fortune
    And happiness.






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